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The diary of a 30-Something's avatar

This resonated. The line about work being the output of living, not the input, is a good way to put words to something I’ve felt but never had language for. And the distinction you draw « leisure that produces something vs. leisure that just numbs you » feels like a more useful question than “did I procrastinate today.” Appreciate you writing this.

Anton Karpov's avatar

the gods and robots idea is the best thing in here and i have not seen anyone make that argument before

The two most powerful kinds of being we can imagine are inhuman for the same reason, they run at full output with no breaks. So the inability to do that stops being a defect and turns into the actual marker of being a person. That is a properly original move and it does more philosophical work than most essays on this subject manage.

Then you follow it with the distinction that makes it usable. Procrastination that produces something, a conversation, a mood, a song, a thought you can use, against procrastination that just switches your mind off. Same hours, opposite substance. Everyone can feel that difference and almost nobody has language for it, and now they do.

"The work has always been the output of living crazily, not the input" is the sentence i would put on a wall. You worked out at seventeen what plenty of people never get to at all, which is that you have to live first and the writing comes out of that.

And you refuse to resolve the dilemma. You say plainly that staying consistent would mean cutting clubs, sport and dating, which are the exact things feeding the writing, and then you leave it standing there unsolved. That takes more confidence than tying a bow on it would have.

one thought, and it is only about the opening. the first paragraph, the stream of people and the room with the disappearing door, kept me at arm's length. i read it twice and still was not certain what i was looking at. and then paragraph two is sitting right there, you and your friend on FaceTime practising Spanish and switching to English because neither of you had the words to describe your futures. that is a real scene with real people in it, and it is quietly a metaphor for the entire essay, running out of language exactly where the important thing begins. i would open on that and let the abstract material arrive later, once the reader is already in the room with you

strong piece and the closing question is the right one to end on. thank you for writing it, i will be back for the next

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